Ismahawk wants to bring the highest quality to every project, giving Hollywood visuals and entertainment, all while on an independently funded budget. How the production team spends their time, money, and resources is crucial. In order to achieve the standard Ismahawk has set for themselves, they rely on assets that mix the real live-action footage with visual effects.
While you might have a couple of go-to blending modes, we’re going to take an in-depth look at some of the most popular ones out there. You can then decide which one is right for you in any given circumstance, without having to haphazardly scroll through them all every time.
We are proud to finally unveil what we have been working on — ActionVFX Unlimited, a yearly subscription model for businesses and schools.
You’ve got a deadline to make, big plans tonight after work, and you don’t want to be stuck sitting around the office for hours waiting on frames to render. While we can’t guarantee to save your social life, we do have a dozen quick tips for speeding up your render times in After Effects and Premiere Pro - which should help you stress a bit less as you’re finishing up your VFX project!
The hands-on training to become a VFX artist has never been more accessible than it is now, and it’s also a great time to break into a flourishing industry. Don’t sit idly by while excuses hold you back from the career you’re passionate about. Do some research, and put in the effort to be prepared for the job you’ve always wanted!
Following AdobeMAX 2018 in October, Adobe released their latest updates to the Creative Cloud suite. We’ve already covered what’s new in After Effects CC 2019, so today we’ll cover some helpful new features in Premiere Pro CC 2019.
ActionVFX helps Lost Boys Studios do what they do best — equipping VFX artists to be successful and propelling them into the industry.
At a glance, Nuke can be daunting. Once you’ve dipped your foot in, however, it becomes clear that Nuke is truly a playground fit for any artist.
No matter what stage you’re at in production, you’ll always be deciding which codecs and compression rates to use during import and export. Today, we’re going to look at the necessity of certain types of compression rates in different scenarios, and give you a few practical tips to help you get a deeper understanding of how codecs interact with your VFX footage.
James Hattin and Nick Guth of VFX Legion understand that digging through potential stock footage is time-consuming. With different elements pulled from various sites, a VFX shot can be more difficult than it needs to be. That's where ActionVFX Fire Collections stepped in.
