Now that we’ve gone over creating mattes, we can tackle the real fun - explosions! This week we will layer several of our Explosions Vol. 2 Elements in a scene and blending them against a a bright, sunny background.
Now that we’ve gone over creating mattes, we can tackle the real fun - explosions! This week we will layer several of our Explosions Vol. 2 Elements in a scene and blending them against a a bright, sunny background.
This week we’re taking a quick look at adding mattes to make sure your VFX are appearing behind objects in your scene. In this example, we are adding mattes to make our Explosions erupt from the other side of a large building.
In this tutorial I will go over how to get the most out of each unique Water Collection! With some careful attention to detail, we can make these elements really stand out.
Stock Footage 101 is going to be a video segment on our YouTube channel where we address some of the popular questions we're asked regularly by our users. In this first episode, I'll go over the best ways to remove a black, or white, background from stock footage.
In this tutorial Lendon will show you how to make it look like an entire town is going up in smoke, and it's pretty easy to learn! Follow along with me as he guides you through each step to make this possible in any scene.
In this tutorial, Follow along with Lendon as he guides you on how to best composite our Fireball elements in a shot using After Effects.
In this guest tutorial, Daniel Novarro creates a portal effect using our elements in After Effects. He covers various steps in the video, such as tracking the plate, inserting and creating the portal, rotoscoping, inserting some particles, and compositing them all together.
In this guest tutorial, Sander de Regt shows us how to composite our Muzzle Flashes in Blackmagic Fusion. We want to bring as much value as we can to the visual effects community by supplying tutorials in other programs besides After Effects.
In this tutorial, Lendon goes over how to composite our Ground Crack elements using After Effects. He also made great use of Mocha Pro from our friends at Boris FX for the tracking.
There are a million different techniques to use in the compositing world, all of which result in reaching the same end goal. Lendon hones in and keeps his eyes on the end goal, thus creating this awesome tutorial on how to best composite our Atmospheric Smoke & Fog in After Effects.
